 |
|
Notable Faux-Artists
|
 |
|
| Throughout history stands a long tradition
of Faux-Art. Virtually every artist at some point has
developed his or her technique through copying the production
of admired artworks. Manet's famous Olympia was an inspirational
piece for Gaugin and Cezanne, both of whom made copies
of it. In his facade for the Palais Stoclet in Brussels,
and as the background of his paintings, Klimt copied Japanese
artists and textile designers. While studying alongside
Boudin, Monet experimented by copying many of his works.
In the periods of his or her development, every artist
might be considered a Faux-Artist. In the same sense,
the Faux-Artists of Donde's team might be considered developing
masters, who have paused to perfect their techniques on
the way to crafting their own styles. |
|
|
|